#Xavier rudd lioness eye full

Indeed, it was the instrumental number вЂњLioness EyeвЂќ which kicked off the encore, with Rudd going full one man band on the didgeridoo and drums. That said any time where was an instrumental breakdown with Rudd bringing out the didge, everyoneвЂ™s attention was soon right back on the stage. There was a bit of restlessness within the crowd, especially at the fringes, but that could also be down to the cold wind coming in off the coast. For example, I felt there were a couple of more tepid instrumental moments that went on a touch too long. Whilst, there were plenty of highlights, there were a few moments where I felt my attention, and the crowdвЂ™s drifting, with Rudd and his band not quite managing to keep the energy levels and tempo consistent across the entire set.

Other album tracks, вЂњStorm BoyвЂќ and вЂњWalk AwayвЂќ were also given a warm reception from the Fremantle crowd, the latter getting one of the biggest cheers of the night.ДЇurther highlights of the main set included вЂњFollow The SunвЂќ from Spirit Bird, which brought the main part of the show to a close.

White MothвЂ™s вЂњCome Let GoвЂќ was an early highlight, and quickly had the crowd singing along, as was вЂњBest That I CanвЂќ from Storm Boy. As you would expect songs from the latest album dominated the setlist, but were fairly evenly spread across the evening, interspersed amongst older crowd favourites. Rudd kicked off proceedings with вЂњHoneymoon BayвЂќ from his latest album Storm Boy. It mightвЂ™ve been a few years since I last saw Rudd live, but itвЂ™s clear his passion for the environment and his activism hasnвЂ™t diminished in that time. Before we got to any music though, there was a brief address from an environmental activist talking about the Kimberley Region, and urging concertgoers to get in contact with their local MPs ahead of a decision regarding fracking and to make their voices heard. Up until Friday IвЂ™d only ever seen him perform solo the addition of a band certainly adds a degree of muscularity to his performance вЂ“ giving the eveningвЂ™s more instrumental moments added kick.

Highlights included a cover of Freddie Kings вЂњI Love The WomanвЂќ, вЂњPain and MiseryвЂќ and вЂњI Get UpвЂќ.Д«efore Friday night, itвЂ™d been a number of years since I last saw Xavier Rudd play live. And, in my opinion you can never go wrong with a horn section! It also became clear as the set went on that thereвЂ™s plenty of songwriting talent amongst the group, with frontman Josh Teskey keen to drawn attention to the songвЂ™s requisite writer. The band was tight, with solid performances from each of the members, though Sam TeskeyвЂ™s guitar playing particularly shone through. Instead, The Teskey Brothers are well versed in soul and blues, with a number of their songs bringing to mind some of those old greats from both genres. Given the headliner I was probably expecting something rooted in the folk or roots genres. Even then, what I got proved to be a surprise, albeit a welcome one. Having never seen The Teskey Brothers before, nor heard any of their output, I wasnвЂ™t too sure what to expect. Friday night saw the South Lawn of the Fremantle Arts Centre play host to the penultimate night of Xavier RuddвЂ™s Storm Boy Australian tour, joining Rudd for the evening were VictoriaвЂ™s The Teskey Brothers.

Xavier rudd lioness eye